Abstract
Drawing on a close reading of Lacan's Seminar XX: Encore, regarding the idea of love's centrality in every human intersubjective experience, this article explores the artificially constructed division between Eros and Logos that since the Enlightenment pervades most of the cultural renditions of western images of love, and argues that this separation forecloses an overarching unity, put forth by Lacan trough the concept Y a l'Un (there is One).
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
