Abstract
AbstractIn this paper, I will explore love as a universe of meaning constituted at the crossroads of cultural patterns and actors’ biographical experiences. Universes of meaning provide a structure of cognitive pre-selections. While the social in general is composed of a multitude of universes of meaning, they belong to the public. Romantic relationships are private and enable privacy. I will (1) propose a definition of love and a framework that serves to ensure its theoretical validity. I will then (2) analytically deconstruct the unity of communication, interaction, eroticism, and emotionality as love’s different media of experience and explore their self-referential functionality.
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