Abstract

Perhaps the most consistent biographical reference to the Russian philosopher Vladimir Solov'ev (1853-1900) concerns his unusual guffaw: “When he laughed, his loud infectious laughter ‘with unexpected, outrageous, and hiccup-like high notes’ would drown out all other voices.” Scholars usually explain this laughter as a sign of Solov‘ev's otherworldly perception and his occasionally inappropriate descent into our mundane realm. Observing this “infectious laughter,” Evgenii Trubetskoi found an explanation in his friend's supposed ethereal character: “He was so nearsighted that he did not see what others saw. Squinting under his thick brows, he could make out items at close range only with difficulty. But when his glance searched into the distance, it seemed to penetrate beyond the surface accessible to our external senses and to see something otherworldly, hidden from all the rest. His eyes shone with some kind of internal light and gazed directly into the soul.” Aleksandr Blok, who claimed to have been greatly affected by a chance meeting with the strange philosopher, called him “pure spirit, as if an image instead of a living man–an outline, a symbol, a sketch.”

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