Abstract
‘On Choreography’, prepared by Rachel Fensham, turns on an aesthetic investigation of twentieth-century dance history through the large-scale collage installations of Australian visual artist Sally Smart. Revisiting emergent concepts from articles in the 2008 Performance Research issue, it allows them to fragment, tear-up and reassemble major works from the Ballets Russes, Martha Graham and Pina Bausch as it works towards a feminist notion of radical movement.
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