Abstract
While few would argue that commercial theatre on Broadway today is the artistic heart of the American theatre, fascination with Broadway and its productions has not diminished, as witnessed by Steven Adler's thorough and thought-provoking study of contemporary producing, On Broadway: Art and Commerce on the Great White Way. Having interviewed sixty-six professionals in the field over a period of five years, Adler is able to cover his subject from many angles as he allows each person to offer opinions on everything from the corporate involvement in Broadway to the absence of scenes from nonmusicals on the annual Tony Awards broadcast.
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