Abstract
This paper studies a silk military colour during the reign of Tsar Peter I in the collection of the Swedish Army Museum, discussing the colour from the perspectives of several aspects including the background, the shape and form, the decorative theme, the fabric variety and the silk pattern. Analysis and researches on the fabric weave and pattern are the main focuses of this paper and the recovery of the fabric’s pattern is also included. And on the basis of physical research, combining with the comprehensive analysis of the wars and the style of the colour, the authors identify that these silk fabrics used for the Russian military colour are Chinese satin damask of late Ming and early Qing dynasties. d intrinsic rewards were strongly related to OC. Especially, intrinsic rewards had the strongest association with OC. These findings suggest that the antecedents of OC in Vietnam are different from those in the West and China. The comparison between university graduates and others showed that fatigue and autonomy had stronger influence on OC in university graduates than in others. Discussions and implications concerning human resource management in Vietnam are offered.
Highlights
There are over 300 military colours collected in the Swedish Army Museum, which were captured by Swedish Army during the Great Northern War in the early 18th century
This Russian colour collected in the Swedish Army Museum, No ST21:27, is registered as the Russian banner in the early 18th century, which is a trophy captured in the former battles during the Great Northern War
The Swedish Army Museum collects the Russian military colour No.ST21: 27, which is a trophy of the Swedish army in the Great Northern War in the early 18th century
Summary
There are over 300 military colours collected in the Swedish Army Museum, which were captured by Swedish Army during the Great Northern War in the early 18th century. There is a Russian banner, No ST21:27 ( as shown in Fig.1), that was a trophy from the war in the early 18th century. It’s rectangular with a size of 268cm * 253cm. Based on researches, this colour proves to be sewed by several pieces of Chinese silk with patterns on which there are religious painting. This paper will conduct researches on the banner from the perspective of its shape, form, decoration process, fabric and pattern. During the discussion, we’ll have a recovery description of the silk patterns of its main fabric
Sign-in/Register to view highlights & summary Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
