Abstract
Abstract This article discusses Olga Tokarczuk as a novelist who has developed a unique literary style, an inimitable blend of visual and verbal elements. Referencing her novels (and bearing in mind the order of their development in relation to the development of the authorial techniques), the author discusses how Tokarczuk challenges the traditional communication model as well as traditional ways of looking at the process of creation. Utilizing observations on the roles of visual art in the literary works of George Eliot, the author reveals the feminist fabric of Tokarczuk’s views of the world while simultaneously presenting the unprecedented strategies, hitherto unseen elsewhere, by which she challenges her readers with unconventional angles from which to make sense of reality.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.