Abstract
Abstract This article discusses Olga Tokarczuk as a novelist who has developed a unique literary style, an inimitable blend of visual and verbal elements. Referencing her novels (and bearing in mind the order of their development in relation to the development of the authorial techniques), the author discusses how Tokarczuk challenges the traditional communication model as well as traditional ways of looking at the process of creation. Utilizing observations on the roles of visual art in the literary works of George Eliot, the author reveals the feminist fabric of Tokarczuk’s views of the world while simultaneously presenting the unprecedented strategies, hitherto unseen elsewhere, by which she challenges her readers with unconventional angles from which to make sense of reality.
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