Abstract
ABSTRACT This paper discusses the intended argument and conceptual backgrounds of two satirical engravings published during the Truce Conflicts in the Dutch Republic (ca. 1611–1621), with a special focus on the use of fish imagery and its political implications. The case under consideration shows a now historic perception of (giant) fishes employed for disparaging purposes in the context of a deeply polarised society over issues of religious orthodoxy and toleration.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
