Abstract

Anna Banti, who died in 1980, was for many years an editor at Paragone, the prestigious journal of literary and art criticism. Though she set out to have a career as an art historian, as the student and young wife of Roberto Longhi, her major accomplishments were as a writer of historical fiction. In her famous novel, Artemisia, about the social ostracism of a 17th century painter, Artemisia Gentileschi, who was raped and then labeled a prostitute, Banti funneled her art historical passion into a compelling depiction of the interiority of this victim of a masculine baronial order. Artemisia stands as a vivid

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