Abstract
The paper studies Austrian filmmaker Michael Haneke's most recent film, Cache (2005), as a narrative exploration of cultural tension, anxiety, and social psychology in the post-9/11 world. The paper focuses specifically on this psychological text/context and argues that, in the film, Haneke develops a critique of Western middle-class liberal subject positions through an examination of the crisis that emerges due to the intrusion of the Other and the Other's gaze. In studying the negotiations of a Parisian family with this sudden intrusion of the Other's gaze, I have relied on Lacan's theory of suture as constructing an imaginary defense against the Real of colonial guilt.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
