Of Storytellers and Master Narratives: Modernity, Memory, and History in Fascist Italy

Abstract

In his 1936 essay on Nikolai Leskov—”The Storyteller”—Walter Benjamin (1969) lamented the destruction of collective memory that was taking place with the passage from community to society. In the transformed structure of modern life, claimed Benjamin, our ability to exchange experiences has diminished, and along with it, a collective sense of meaning. While tradition collapses under the irresistible force of the development of economic production, human perception also appears to be affected and penetrated by a logic of rationalization. This logic tends to annul more than past traditions and their meaning as vehicles for communal understanding; it also undermines the capacity for experience in general. In the modern world of machines and automatons, Benjamin feared, tradition was irreparably lost. With it there also vanished the remnants of collective dreams and aspirations that in the past had formed the humus of people’s redemptive path toward a meaningful and fulfilled life.