Abstract
Fernand Leger’s The Girl with the Prefabricated Heart from Hans Richter’s episode movie Dreams That Money Can Buy (1947) connects the after-war reality to the importance of the mechanical and the dominant role of objects in avant-garde projects of the 1920s and combines them with the disintegration of subject sovereignty as a category and the substitution of the human body through puppets. It is based on a popular dandy song performed by two vocal stars of the 1940s—Libby Holman and Josh White—and portrays a romantic love story with a fatal ending, told in animated scenes of mannequin dolls, abstract paintings, and objects from Leger’s oeuvre that in the end lead to a collage of discursive differences: the popular vs. avant-garde; the clash between time concepts in music and image; heteronomous concepts of femininity; love and narcissism; and the changing relations between the real and the imaginary, especially in the pretended subjectivity of dreaming.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
