Abstract
This essay examines common ground between two recent novels: Die Wahl (2003) by Erika Pluhar and Jessica, 30. (2004) by Marlene Streeruwitz.Both writers’ women protagonists have lovers who are politicians, and both texts engage with Austrian politics, set as they are against the backdrop of the growing acceptability of populist, right-wing politics in contemporary Austria. These modern ‘Entwicklungsromane’ show the development of a sense of resolve in their respective protagonists. Where Pluhar's novel makes playful reference to trivial literature conventions at a diegetic level only, Streeruwitz uses and manipulates the format of a popular literary form – the woman's novel, or ‘chick-lit’ novel – to assist her in interrogating political events in Austria at the time of the novel's setting. Despite their outward appearance as trivial romance stories, both novels have strong political agendas.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
