Abstract
The cental question explored is what kind of aesthetics strategies can be employed by artists for a post-human world. The growing field of synthetic biology reinforces the pervasive influence of the engineering mindset and aesthetics within the life science laboratories, at the very same historical moment that the artistic interventions have also entered into these spaces. The scientific laboratory, in which artists (as well as engineers) are located, thus cannot be viewed in isolation but is positioned within larger cultural networks that are organised around the maximisation of utility, efficiency and profit. The paper examines the tension between what can be referred to as the engineering aesthetics characterised by the desire and judgement of creation and control versus the aesthetics of vibrancy and agency of matter based on planned utilitarian futility excess and relinquishing of control.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
