Abstract
The paper was created to analyse the clothes of the ktetoress and her daughter in the patroness composition in Donja Kamenica's Church of the Virgin. Along with the analysis of the clothes made, a small review of their headdresses, which are an integral part of the mediaeval costume, is also given. However, the emphasis is on textiles, textile design, dress design, and finding examples of comparison in mediaeval portrait painting of the 14th century from the area of mediaeval Serbia and Bulgaria. The intention is to point out the similarities and differences in clothing between other noble females and the ktetors of Donja Kamenica, as well as the specifics in the dress of these others.
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