Abstract
This paper explores basic bibliographic and some intellectual characteristics of revised art history dissertations published as university press titles. Book data available from Yankee Book Peddler were gathered for revised dissertations published as books from 1998 to 2013. This corpus revealed subject concentrations, key university presses, and some intellectual characteristics (including interdisciplinary or multidisciplinary focus). In addition, geographical subject distribution, page counts, and cost were examined. This study offers a quantitative survey of art history books that originated as dissertation research.
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