Abstract
This article deals with photographic encounters in the Kalahari. The author discusses the role of photography in ethnographic fieldwork and issues surrounding photography as representation. He writes reflexively about his own experiences taking pictures in the Kalahari, his motivations and subjectivities, the reactions of his subjects, and the nature of financial demands made. The author compares his own photography with that of two photographers well known for their imaging of the San—Paul Weinberg and A. M. Duggan-Cronin—while dealing with his own subjectivity in relation to ethical and representational issues.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
