Abstract
After the conquest by Russia, the Turkic languages were first un-der the strict control of the tsarist authorities, and then of the Bolshevik regime. Systematical work has been carried out to change such areas as the sound system, alphabet, spelling, vocabulary, usage of these langua-ges. Studies have exaggerated the differences between these languages, ignoring their common features. Studies have exaggerated the differences between these languages, ignoring their common features. This became the main development principle of national languages. In order to uncover the root of one of these issues, the article analyzes the processes of the extraction of the phenomenon from the Uzbek literary language, which has been called by words and phrases such as “tone of thickness and thinness”, “harmony of sounds”, “harmony”, “synharmonism” in different periods.As a result of comparing the views of scholars such as Abdurauf Fitrat, Elbek, Ghazi Olim, Otajon Hashim, Ashurali Zahiri, Qayum Ramazon, Tursun Ibrohimov, E. Polivanov, I came to the conclusion that the emer-gence of synharmonism from the Uzbek literary language did not happen naturally.
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