Abstract
This article aims to reveal how newspaper archives can support musical history research by providing an important tool for developing and covering themes focused by Brazilian musicology. The presence of the classical guitar in Rio de Janeiro is highlighted beginning in the 1840s in the hands of foreign artists, who fostered the development of the city’s nineteenth-century musical life, a busy agenda of musical performances that allows us to become acquainted with the guitar’s repertoire, which was composed of original works and especially transcriptions of opera arias.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Revista do Instituto Histórico e Geográfico Brasileiro
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
