Abstract
Preliminary conceived as part of a wider and systematic study on the thought of young Nietzsche, the present article aim to analyze the status of language in the aesthetic philosophy of Nietzsche, namely that which is presented in the preparatory and posthumous works and fragments of The Birth of Tragedy. As it should be noted, my analysis, endorsed by importants studies of secondary literature, aimed at a keen, and yet not exhaustive, gradual reconstruction of the tripartite: tonal language (Tonsprache), language-of-gesture (Geberdensprache) and language-of-word (Wortsprache). This, in order to elucidate the origin, development and extinction of the Greek tragedy.
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