Abstract
In The cinematic body, Steven Shaviro explores the relationship between the cinematic apparatus and the life of the body, suggesting that both are not alien or extrinsic to each other, since their symbolic and parasitic interpretation is part of the postmodern culture of social and technological relations of capitalist society. Understanding the cinema as a living medium that causes bodily reactions of desire and fear, pleasure and disgust, fascination and shame, the author seeks relations with postmodernity, the politics of human bodies, the construction of masculinity and the masochistic aesthetic, present in films.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.