Abstract
This work intends to present some reasons to considering Akira Kurosawa s movies as works-of-art The antithesis is given by arguments from Adomo, Horkheimer and other philosophers of the so called Frankfurt School, who wrote first against moviemaking industry，and later against its artistic possibilities. The synthesis aims to clarifying，by using Kurosawa as an example，the possibility of moviemaking to fullfill the conception of what Richard Wagner called “a total art”.
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