Nymphs, Naiads and Natation

Abstract

This paper explores the growth and development of the ‘art of swimming’ amongst Victorian female professional natationists when the common belief was that ‘ladies’ were not physiologically or emotionally equipped to withstand the rigours of physical exertion. The question is posed as to whether ornamental swimming was a ‘respectable’ form of entertainment for females to undertake or was it just another manifestation of the passion for freak-shows much loved by all social classes in late-Victorian England. Media coverage of this popular form of entertainment often described its female exponents as ‘nymphs’ and ‘naiads’, terms taken from Greek mythology in order to legitimise an activity that had strong sexual overtones. In so doing, the consumption of recreational activities, as opposed to sport, by females provided a course of less resistance from the sporting proselytisers throughout the period, 1870-c1910. Thus, the female pioneers of natation were able to promote their various ornamental swimming activities through their efforts in a variety of aquatic venues throughout the country. Their popularity resulted in a whole phalanx of nymphs and naiads being encouraged to demonstrate their mystical feats for the gratification of predominantly male-dominated audiences. But more significantly, they served to promote swimming amongst the female population for their own edification as a respectable recreational pursuit.