Nowe ujęcie procesu twórczego w muzyce. Wewnętrzna polemika między założeniami estetycznymi a teraźniejszą rzeczywistością kryzysu

Abstract

The creative artistic process linked to composing in modernity may now be viewed from different perspectives. Even though composing remains the central part of the creative process, there are other parts like artistic performance, improvisation, and sound engineering. The composer creating the composition will not be able to bring the composition to life without the help of the performer. The artistic process represents the idealistic triad of concepts: the beautiful, the true, and the good – the qualities that lead the artist’s inter-ego into the outer world. When the work is prompted by basic and felt emotions containing the creative spark, one sees the “content” of the “beautiful form” at the deepest level of the artistic soul. In the creative act, the formal element is the artist’s idea being passed on to the recipients. The creativity of artists-musicians in the times of the Covid pandemic 2019–2021 constantly develops into new forms and designs. In the reality of the art “Internet avant-garde,” the expansion of the virtual transmission becomes common. Today, the creative process, based on an attempt to recreate the ephemeral state of continuity and perfect union with music, seems to be dependent on new means of expression and streaming. Even though the category of artistic work has been modified in correlation with the world of transmitted data, the artistic works, by definition incongruent with the virtual reality, in times of crisis, must remain in dialog with it.