Nouvelle approche de l’art rupestre de l’Atlas saharien : les figurations de la période tardive

Abstract

Figurations in Atlas have been studied numerous times, namely by Flamand and Frobenius between 1891 and 1914, by Vaufrey in 1939 and by Lhote between 1955 and 1970. And finally there were Iliou’s 1 and Hachid’s theses in the 1980s and Amara’s thesis in 2001. The study of the Atlas figurations discovered since 1847 brought new data on the engravings from the recent period. The originality of the engravings lies in the appearance of new themes, which had been unknown until yet. The presence of metal weapons figures enriches the records of the Atlas rock Art. The alphabetical signs, another new theme, give an identity to this Art. The work undertaken in this vast region raises the problem of the persistency of the Neolithic culture. All the figurations show some aspects of the evolution, which become permanent, mostly at the end of the recent period.