Abstract

Abdelkébir Khatibi (Maroc) and Dany Laferrière (Haïti–Québec) belong to different cultural areas, but share the same linguistic practice in a postcolonial context. They are also similar in their conception of writing literature in a transitional world for a global age where the novel, as a Western form in its origin and under its authority, and also as an access point to modernity for the writers of the global South, aims at a certain form of transnational order. Both of these writers reject the dogmatic definition of identity from the perspective of an origin and of a supposed secular pact between fiction and nation. This paper examines the shift between francophone global fiction by way of a “regional criticism.” However, this emerging global rhetoric, recently called “littérature-monde,” may appear as a new utopian paradigm.

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