Abstract

The only adequate and trustworthy account of Fielding's théâtre is that given by W. L. Cross in his three-volume biography, The History of Henry Fielding (New Haven, 1918). Yet, in my opinion, three of Fielding's plays, The Letter-Writers (1731), The Modern Husband (1732), and Eurydice Hiss'd (1737), have received inadequate treatment from Professor Cross, for he has failed to indicate their sources properly.

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