Abstract
The aim of this descriptive essay is to acquaint the reader with some of the problems that occupy Soviet aestheticians. I consider this particularly important because many aestheticians in the West are biased towards Soviet aesthetics and their books and essays reveal a misunderstanding of the real aim and nature of Soviet aesthetics as a science. It goes without saying that I do not assume that all aestheticians of the Western World share this prejudice about aesthetic research in my country. In the first five years after the October Revolution aesthetic research took on an active character in the
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