Abstract

I have always been skeptical about matchmaking and blind dates. But when the artist E. G. Crichton declared that my ā€œperfect matchā€ was a deceased gay Asian American dandy named Jiro Onuma, I was intrigued. In 2009 Crichton invited me to participate in her ongoing project Lineage: Matchmaking in the Archive, in which she couples contemporary artists with LGBT individuals from the past in hopes of sparking ā€œdyadicā€ queer bonds between the living and the dead that will result in artistic responses to the archive.

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