Notes on Contributors

Abstract

Previous article FreeNotes on ContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreCharles Cathcart is an honorary associate in English with the Open University. He has published—often as an independent scholar—since 1999. He is intrigued by the processes through which multiple writing contributions may cohere within a single early modern text. His recent subjects have included the publication history of John Marston’s writings in the years after he ceased drafting plays, the stationer Leonard Becket and his publications, and the canon of Thomas Heywood.Jeffrey S. Doty is an associate professor of English at the University of North Texas and the author of Shakespeare, Popularity and the Public Sphere (Cambridge University Press, 2017). His essays on Shakespeare and ethics can be found in Shakespeare Quarterly and Shakespeare and Virtue: A Handbook (Cambridge University Press, 2023) and his work on Shakespeare, social class, and popular politics in Shakespeare and the Politics of Commoners: Digesting the New Social History (Oxford University Press, 2017) and Literature Compass. His essays coauthored with Musa Gurnis on the early modern London “theater scene” and its interactive public have appeared in the journal Shakespeare and in Publicity and the Early Modern Stage: People Made Public (Palgrave, 2021). He is currently preparing a critical edition of Coriolanus for Cambridge University Press.Margo Kolenda-Mason is a visiting assistant professor of English-Literary Studies at Hendrix College. Her first book project, Fruitless Labor in Early Modern English Literature, explores rhetorics and representations of subverted, thwarted, and frustrated labor in poetry and drama. She is also contributing a chapter on “Work, Play, and Solitude” in A Cultural History of Solitude in the Early Modern Age, forthcoming from Bloomsbury’s Cultural History series.Scott Maisano is an associate professor in the English Department at the University of Massachusetts, Boston. His essays and reviews have appeared in numerous venues, including The Tempest: A Critical Guide (Bloomsbury Arden Shakespeare), Early Modern Theatricality (Oxford University Press), Configurations, Extrapolation, Shakespeare Studies, and Shakespeare Quarterly. His current book project—“Labouring with Shakespeare—is both a reconstruction of Shakespeare’s lost comedy, Love’s Labour’s Won, and a critical engagement with academe, race, and speculation in Love’s Labour’s Lost. Previous article DetailsFiguresReferencesCited by Renaissance Drama Volume 51, Number 1Spring 2023 Article DOIhttps://doi.org/10.1086/726061 © 2023 Northwestern University. All rights reserved.PDF download Crossref reports no articles citing this article.