Notes on Contributing Authors

Abstract

Michael A. Figueroa is Associate Professor of Music at the University of North Carolina at Chapel Hill. He specializes in musics of the SWANA region and its diasporas, with an interest in the Israeli-Palestinian conflict, Arab diaspora in North America, and issues related to music, poetry, and multimedia. He is the author of City of Song: Music and the Making of Modern Jerusalem (Oxford University Press, 2022), and co-editor of Performing Commemoration: Musical Reenactment and the Politics of Trauma (University of Michigan Press, 2020).Morgan James Luker is Associate Professor of Music at Reed College in Portland, Oregon. He is author of The Tango Machine: Musical Culture in the Age of Expediency (University of Chicago Press, 2016) and the founding director of Tango for Musicians at Reed College (www.reed.edu/tango).Althea SullyCole is an ethnomusicologist and multi-instrumentalist from New York City. She has studied her primary instrument, the kora, a 21-stringed harp from the Mandé region of West Africa, for ten years, three of which were spent in Dakar, Senegal. She is currently a doctoral candidate in Ethnomusicology at Columbia University and the Sylvan C. and Pam Coleman Memorial Fund Fellow in the Musical Instruments Department at the Metropolitan Museum of Art.Deonte L. Harris, assistant professor in the International Comparative Studies program at Duke University, holds a PhD in Ethnomusicology from the University of California, Los Angeles. His research interests include global Black studies, diaspora studies, critical race studies, and the anthropological study of value. These broader interests animate his current book-in-progress, which investigates the local, diasporic, and global dimensions of Caribbean carnival culture in postwar UK, and the value of carnival among Black Britons of Caribbean heritage. Harris is a past chair of the SEM Student Union (2014–2016); former member of the SEM Council and Diversity Action Committee (2017–2020); and current co-chair of the Gertrude Rivers Robinson Network of Black Ethnomusicologists (2020–2022).Katie Young is a postdoctoral research fellow based at Mary Immaculate College, University of Limerick. At present, she is researching experiences of music at night for Black-Irish and Afrodiaporic musicians in Cork and Galway, Ireland, as part of the Humanities in the European Research Area (HERA) NITE research project. She recently received her PhD in Music from Royal Holloway, University of London.