Abstract
Don Ramon's latest work, La Chanson de Roland y el neotradicionalismo, is an outstanding intellectual achievement. Encyclopaedic in scope, it reviews all the classical problems of Roland criticism and has something important to say on each. The original Spanish edition of 1959 was published in the following year in a revised and somewhat expanded French translation, which takes into account the proceedings at the memorable table ronde in Poitiers in the summer of 1959, at which Don Ramon defended his thesis on the Roland against some of the most illustrious figures in mediaeval scholarship with a zeal, vigour and untiring mental energy that amazed and delighted all those present.
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