Abstract
In this inevitably fragmentary presentation, examples of the presence of the Fuegian world in the European conjuncture of the 1920s -above all in the missionary exhibitions-, and contemporary examples of the presence of representatives or representations of the European world in Tierra del Fuego -viz. the voyage of the cruiser Italia in 1924-, are discussed to show the porosity of the line dividing them. In the moment when Surrealism exploded in Europe -the same decade in which Sigmund Freud published his Note on the Wunderblock-, the European exhibitions showed an appreciation of the artefacts of Fuegian cultures that were themselves subject to the erosive effects of the wind, the oceans and the men who came from the Old World
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