Abstract
The articles “Notes on Sculpture” and “Notes on Sculpture, Part 2” by Robert Morris mark a milestone in the history of sculpture, challenging traditional notions of form and function. The emphasis on basic geometric elements and the understanding of sculpture as a spatial event, rather than a static object, transformed artistic discourse. By proposing an approach centered on the viewer’s experience and the work’s interaction with the environment, Morris paved the way for Minimalism. Through his reflections, the artist significantly expanded the possibilities of sculpture, influencing contemporary art production and criticism in a decisive manner.
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