Abstract
This article argues for the relevance of the work of Carl Seashore to the history of communication research in the United States. A psychologist at the University of Iowa in the early 20th century, Seashore's laboratory took up questions regarding the psychology of music and art with direct relevance to communication studies and influenced such important figures as Wilbur Schramm and Kurt Lewin. Exploring this history offers a more robust picture of the history of experimental communication research in the United States and provides an important corrective to contemporary histories of the field.
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