Abstract

As Biblia pauperum, we define not only books with an abbreviated text of Sacred Scripture, which were dominated by illustrations, but also cycles of artistic representations, e.g. painted on the walls of churches or decorating window stained-glass windows. However, other iconographic sources, such as stove tiles, are much less known. As archaeological monuments, most often preserved in fragments, they have not yet been thoroughly analysed. The article discusses medieval and Renaissance tiles with figural scenes with biblical motifs. As the archaeological sites most often feature several tiles decorated with similar thematic motifs, they should be treated as evidence of a conscious decision to show the cycle of events described in the Bible on the stove.

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