Abstract

ABSTRACTThis article argues that, in the fourteenth century, there was a wave of nostalgia that was provoked by extreme structural change: this was a moment of demographic catastrophe (with famine and plague), endemic warfare, economic fluctuation, intensified urbanization, and intellectual and spiritual novelties. Yet scholars from a range of disciplines have assumed that nostalgia and modernity are intimately connected. Given these framings of nostalgia as a modern phenomenon, this article seeks to explore the implications of premodern nostalgia. It begins by setting out the arguments for the intertwining of nostalgia and modernity. Some have argued that modernity brings a sense of rupture and that this produces nostalgia. Others, relatedly, have argued that modernity seems to speed up our experience of time and that this produces a nostalgia for a slower‐paced and more predictable past. I juxtapose these arguments with evidence of fourteenth‐century outpourings of nostalgia across a range of contexts in England, Italy, and France. I analyze examples of nostalgia in political contexts (both radical and reactionary), nostalgia for apparently lost economic orders, nostalgia for a lost set of chivalric values, and nostalgia for disrupted social orders. I then suggest that these fourteenth‐century manifestations of nostalgia were actually produced by precisely the features of the period that are usually deemed to be exclusive to modernity: it was rapid, rupturing structural change that provoked nostalgic regret. Nostalgia, then, would seem to indicate that there are features of the fourteenth century that might be deemed modern. However, rather than simply trying to therefore push back the moment of the birth of modernity, I argue that nostalgia is indicative of the problems of periodization. The presence of nostalgia across epochs—these echoes across the webs of time—suggest that lines of periodization, birthing moments, need to be treated with extreme caution. And it is appropriate that such a reminder should come from a phenomenon such as nostalgia, which is, after all, about resonances and echoes across time—resonances that are amplified, distorted, whispered even, but that all challenge and complicate any straightforward sense of either linear or cyclical time.

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