Abstract
O presente artigo busca entender as relações entre os espaços urbanos do Rio de Janeiro oitocentista e as relações de gênero expressas na narrativa de José de Alencar em seus romances urbanos femininos: Diva, Lucíola e Senhora. As mudanças na capital do Império no século XIX geravam novas expectativas sobre as normatizações de circulação expressas nesses romances. José de Alencar foi romancista, dramaturgo, cronista, parlamentar e estadista do Império brasileiro. Em todas essas atividades a dimensão do político, entendido como o espaço de articulação do social e sua representação, esteve fortemente presente.
Highlights
This article seeks to understand the relations between urban spaces in nineteenth century Rio de Janeiro and the gender relations expressed in José de Alencar’s narrative in his urban feminine novels: Diva, Lucíola and Senhora
This paper[1] seeks to analyze the urban feminine novels Diva, Lucíola and Senhora as sources for the understanding of certain constructions of representations of women, starting from the idea that this fictional production of José de Alencar[2] contains, in its various plots, a pedagogical attempt to instruct his readers through the intermediation of exemplary models expressed by the characters
The normatization of behavior can be perceived by the narratives of the feminine novels of Alencar
Summary
This article seeks to understand the relations between urban spaces in nineteenth century Rio de Janeiro and the gender relations expressed in José de Alencar’s narrative in his urban feminine novels: Diva, Lucíola and Senhora. This paper[1] seeks to analyze the urban feminine novels Diva, Lucíola and Senhora as sources for the understanding of certain constructions of representations of women, starting from the idea that this fictional production of José de Alencar[2] contains, in its various plots, a pedagogical attempt to instruct his readers through the intermediation of exemplary models expressed by the characters.
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