Abstract
This article explores the relationship between Northrop Frye and R.S. Crane, a connection resulting from their several contacts with each other in the 1950s, before the publication of Anatomy of Criticism. Frye was influenced by the neo-Aristotelian Crane, sometimes obliquely, and Crane was aware of the theoretical power of Frye as it had begun to emerge from four essays he had published in the Kenyon Review and the University of Toronto Quarterly. This article looks at what resulted from these two critics having rubbed up against each other.
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