Abstract

Problem statement: Nora was the valuable Southern Thailand Performing Arts. The objectives of this study were to study: (1) histori cal background, identity, factor, tradition, belief and lifestyle of Southern Nora Team and (2) problem sit uations of Southern Thailand Performing Arts and guidelines in promoting occupation of the Southern Thailand Performing Arts. Approach: The research area in Southern Region included Patalung, Nokon-sitammarach and Songkla. The samples were selected by Purposive sampling including the e xpert group, practitioner group and general people, total of 110 persons. The instruments were the Structured Interview and Unstructured Interview, participatory observation form and non-p articipatory Observation form, focus group discussion and workshop. Data were classified into groups based on the studied issues. They were investigated by using triangulation technique and a nalyzed based on the research objectives. The research findings were presented by descriptive ana lysis. Results: (1) historical background and identity of Nora Team inherited from performing by the family and relatives for not less than 50 years . The team leaders loved and appreciated in Nora Perf orming Arts. So, they searched for knowledge from the experts and transferred knowledge for thos e who were interested in Nora Performing Arts. Every Nora Team was connected from the past until now. For the problem situations, found that they were caused by: (1) the decrease of audience's lik ing, (2) the import of new media caused Nora to be less popular, (3) the decrease of revenue and (4) f or the inheritance, there was no one who would carr y on. The pattern of developmental conservation and i nheritance could be performed by organizing as the instructional curriculum of Nora Performance of every level of Southern Region. The searching information of Nora should be performed in the Website of the provincial culture. Kooks and CD should also be publicized. The Nora profession shou ld be promoted in order to make income. The training and performance exhibition for publicizing through various kinds of media should be done for marketing in order to help the actor/actress to obt ain revenue. For the development of Nora Performance Pattern, the development of management process in public relation, performance business, selling souvenir, as well as application of the story and performance to be concise, should be managed. Every performance should be evaluated for improving and developing the performance. Conclusion/Recommendations: Nora used to play its role in Southern society and culture. So, it was necessary to maintain and inherit further. This res earch could be used as a guideline in developing Nora Performance and planning for Southern Arts and Culture.

Highlights

  • Thai society in recent time has imported the Western Civilization

  • For historical background: Nora of each drama troupe was inherited its performance from family or relatives for not less than 50 years

  • Every drama troupe was similar from Nora Arena including 9 m length, 8 m width, 1 m height for the ancient Nora performing art and 20 m length, 7 m width and 1.5 m height

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Summary

Introduction

Rapid growth of changes occurred, especially the technological progress. Nora was a local performing art or local play of Southern people. It was always called or written in other names, for instance, Manohra, Manora, Manorah, Nohra and Norah. It was hypothesized that it was played according to the stories of the former incarnations of the Lord Buddha, Pra Suton-Manorah. Later on, when it was a long time ago, the other stories were added, for instance, the Southern folk tales, the content imitated from television drama and content of politics.

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