Abstract
With its impromptu pervasiveness, the image has taken on enormous strength today, mitigated only by its own “inflation” which can generate a sense of confusion. Thanks to the diffusion of images through the web, today’s designers have a wealth of images at their disposal. The paper poses open questions, concerning how the designer’s sensibility could be developed, focusing on the value of the image as a vital force for the project. On the basis of the revolutionary method of Aby Warburg, which freely links images from different contexts, places and times, the article investigates the effective and potential influence of the iconic turn on contemporary design research. Visual studies affirm the autonomous epistemological value of the image, recognize its deep surface and its strength as imagines agentes. Exploring this context, the article presents in its closing part an exhibition by Diego Cibelli, mixing ancient iconography and contemporary themes, digital and material technologies.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
