Abstract
En el presente trabajo se analizará la obra de Noh titulada Fukkatsu no Kirisuto, cuya temática está tomada directamente de la tradición cristiana. Del mismo modo, se pondrá en relación con otras piezas de Noh con idéntico argumento y se tratará de elucidar ciertas semejanzas entre esta forma del teatro clásico nipón y el teatro religioso ibérico desarrollado durante la Edad Media (los denominados misterios).
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