Abstract

The 41 films at the 2004 Margaret Mead Film and Video Festival showcased a multiplicity of styles and approaches, thus widening the perspective of “what counts” as ethnographic film. The two main events—A Tribute to Jean Rouch and Native Voices—epitomized the festival's commitment to diversity and creative talent. Despite the festival's awkward location in the American Museum of Natural History, the films tackled challenging political subjects and directly addressed questions of representation. Postscreening musical performances, informational panels, and audience–director discussion sessions shaped the festival itself as an ethnographic experience, as well as being a venue for the year's best documentary films. Festival highlights were Raven Tales: How Raven Stole the Sun (2004), Mr. Patterns (2004), and Beauty Academy of Kabul (2004).

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