Abstract
Niobe, a poem by Galczynski was interpreted with verse and musical references, in the context of Mediterranean culture and contemporary realities of the palace of Nieborow, where a copy of the Ancient sculpture is located. The author creates a “film theory of narratology” and proceeds with reflections on various relationships between literature and cinema, on natural sight and imagination, and takes into consideration the following perspective theories: intersemiotic comparative, Bergson, Ingarden, Helman, Ziomek. Next, he offers a film interpretation of the descriptive part of the poem through a Large Violin Concert.
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