Abstract

ABSTRACT Even as the recovery of Robert Bloomfield’s career has accelerated over the past decade, a fully-textured understanding of his contemporary influence remains surprisingly elusive. This article offers a new perspective on the scope of that influence by looking at a specific group of contemporary accounts: memorial poems, tribute poems, and elegies. While the 1824 volume The Remains of Robert Bloomfield contained fifteen such poems, all told there are at least thirty-five others that fall into these categories, though several pre-date Bloomfield's death. This essay identifies several poetic groupings: appreciations and effusions; devotional poems; pastoral elegies; and protest poems about England’s neglect of its poets. Although Bloomfield’s reputation for piety, simplicity, and moral decency is a dominant thread in this body of work, I also identify several poems in which his seemingly spotless public persona makes him usable as a kind of token to be flexibly employed in the service of a grievance or cause. The essay looks in detail at two writers who use Bloomfield in this way: the English temperance writer Jabez Inwards and the American Joseph Dennie, editor of an important early American periodical, the Port Folio, that aggressively advocated for Federalism as against Jeffersonian democracy.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call