Abstract
The bulk of Nigel Balchin's fiction follows the same pattern – a sound male character observing an unsound one; his plots are occasionally more complicated, as when a character examines critically his own soundness or when scientific soundness is transformed into political unacceptability. The novels are therefore a good guide to soundness as a golden mean. But rulers need to balance sense and vision. Balchin questions the value of bureaucratic games in modern organizations which harm a balanced resolution. It is surprising that as a psychologist who understands the pragmatic of interpersonal politics in organizations he failed himself to acquire the depth of vision of a great political novelist.
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