Nietzsche on Rock and Stone: The Dead World, Dance and Flight

Abstract

Although images of rock and stone play a significant role in Nietzsche’s thinking, from his earliest writings to his ideas in Thus Spoke Zarathustra about will to power and eternal return, this stratum of his imagery has not been much discussed. Initially rocks come across as ‘witnesses of prehistory that are eager to acquire language’, as well as border markers of, and means of entry to, the ‘dead world’, or inanimate realm. Later, stone becomes an image of the raw material that we have to work if we want to make something of our lives by fashioning them, which we can do with all strata of the soul except the deepest. At that level granite signifies what is unalterable, being the sedimentation of a very long past, and so rock comes to be associated with the past that is recalcitrant in the face of will. But when will can will as will to power, stone takes part in the play that is the consummate affirmation of life. It also has to be a dance, a dance on the force-field of will to power, overcoming for the moment the Spirit of Heaviness by lifting lightly from the earth. And finally flight: when ‘the boundary stones themselves fly into the air’, with a few of us shifting along with them.