Abstract
In this essay I suggest that there are distinct patterns pertaining to the Flute Concerto involving the idea of ‘Arcadia’ as it contrasts an idyllic past with a troubled present. In my analysis, I argue that his positioning of simple themes with relation to their surroundings in the concerto’s two movements suggests a process-driven search for an Arcadian ideal. As such, and far from simply being merely an interesting work with several beautiful moments, the concerto is an important access point both for further understanding Nielsen’s creative approach to form and his late-period preoccupation with the idea of simplicity.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
