Abstract

Pan-Africanismhas been described as ‘essentially a movement of emotions and ideas’,1and this description is equally applicable to négritude, which is its cultural parallel. Indeed, no better phrase could be found to sum up its double nature, first as a psychological response to the social and cultural conditions of the ‘colonial situation’,2and secondly as a fervent quest for a new and original orientation.In the former respect, the imaginative writings of the French-speaking Negro intellectuals offer a precious testimony to the human problems and inner conflicts of the colonial situation; in the latter respect, their propaganda writing and other activities represent an effort to transcend the immediate conditions of this situation by a process of reflection. Négritude is thus at the same time a literary and an ideological movement.

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