Abstract
Today, when we consider Newton and his work, there is a tendency among both popularizers and scholars to see Newton through a prism, so to speak, and to study Newton in refraction just as Newton studies light by passing it through a prism and breaking it down into its primary colors. Newton is seen, at different times, as a heretical theologian, a scientific genius, or a politically connected man of affairs. There often seem to be as many Newtons as there are primary colors and we study Newton by studying the many manifestations of his multi-hued genius independently. Failing to appreciate the synthetic unity in Newton’s thought is the inevitable result of overemphasizing one or another of its integrated components.
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